Here’s a new YouTube video of me reading my poem “The Glad Sounds of Eating” https://www.youtube.com/watch?v=Y7p7NhW6MDs
To eat is human, for it is then
that we are truly revealed,
putting our mouths around
what will become ourselves.
Yet how rarely is it depicted in art
in full gaping, masticating detail.
Instead, we get paintings of fruit or soup cans
or people gabbing around a table
while ignoring gustatory delicacies in plain view.
You would think Edward Hopper could have
shown the two women actually
eating some chop suey.
And would it have killed Norman Rockwell
to include among those grateful Americans
gleefully greeting their turkey
a chubby little boy in the corner
stuffing his face with dinner rolls?
All those paintings of the Last Supper?
Forget it. There’s nary a nibble,
not even from Judas before heading out
for the evening.
Thank goodness for Bruegel
who knew a peasant wedding feast
when he saw one, with real people
chowing down and licking their fingers.
You can hear the glad sounds of eating.
But there is no joy in Goya’s
Saturn Devouring His Son,
as a wild-eyed Saturn grasps his son’s body
like a Big Mac,
its pale limp buttocks
hanging below white knuckles,
to take another bloody bite.
I guess that’s why Goya left his painting
not for show but on the plaster wall
of his dining room
and why so few painters
elected to portray the darker things
that go on at dinnertime.
First published in Better Than Starbucks: Poetry and Fiction Journal, May 2021 https://betterthanstarbucks.wixsite.com/may2021
Call me a freak. Not a hippie freak, eco-freak, or Jesus freak, just a plain old freak. You see, I don’t have a tattoo. Yesterday I saw a geezer (i.e., someone older than I) downtown—he had to be at least 97—with a big red heart on his neck and the word “Alice,” which I thought was kind of sweet until I noticed just above it a raised hand holding a dagger. Some guys never get over their divorces.
A recent Harris poll found that 21% of U.S. adults now have a tattoo, and among the younger crowd it’s almost twice that. It won’t be long before Pope Francis has one—I suspect he secretly does—and there’ll be no unadorned skin left on the planet. Freaks like me will be eyed suspiciously. Why doesn’t that man have a tattoo? Is he trying to make a statement? It’s un-American, I tell you!
It’s not that I don’t think tattoos are cool. I am fascinated by the diverse and creative ways we set ourselves apart from the herd. When I see some young dude with green-streaked purple hair wearing barbed wire around his neck, twenty pounds of nose, ear, lip, and throat jewelry, and his skin adorned with the full complement of body art, I get all warm and fuzzy inside. How difficult it must be these days to achieve that perfect rebellious, insolent, don’t-give-a-damn look. It’s all about making a statement.
When I was a kid, the only tattoos I remember were those on the arms of my two ex-navy uncles. The rule was, if you were in the navy, jail, a carnival, or a gang you got one. But then, during the 60’s, tattoos really took off in this country as part of a cultural reaction to the values of the white, straight, middle class. Pretty soon, tattoos weren’t just for stoned out rock musicians or starving artists. Middleclass and upper class folks started sporting them. The rest is history. The prevailing culture simply swallowed up the protest symbol. Tattoos are now just something to do. When you see a tattooed politician, stock broker or brain surgeon riding to work on his Harley, you know the tattoo has lost any shock impact it once possessed.
It won’t be long before the tattoo gestapos find me. They’ll haul me into some back alley tattoo parlor and force me to undergo body art, and probably some piercing, too.
So I’ve decided to be proactive. Rather than allowing them to put some tacky tattoo of Mickey Mouse, Miley Cyrus, or worse on my arm, I’ll have a design all worked out. That way, when they come crashing through the front door I’ll have something to show them. They might go easier on me, knowing that I’ve put a little thought into it.
Being a poet, I thought I could have one of my little poems inserted under my skin in tasteful script, on a part of my body normally exposed. I don’t mind sharing my poems, but having to take my shirt off to let someone read a poem is too great a price to ask of my art. Of course, there’s always the risk of would-be poetry critics coming up to me and provoking a scene. It doesn’t rhyme. How it can it be poetry? He obviously took that line straight out of Frost.
Perhaps I could reproduce some famous paintings for my body art. I can see one arm sporting Monet’s Les Quatre Arbres (Poplars), while the other features Botticelli’s The Birth of Venus. On my neck (my legs are too hairy) I could have Goya’s Saturn Devouring His Son. That would get some attention. I do worry, however, that the aging canvas upon which they are painted would sag and fade with time, requiring extensive restoration.
I need a bold statement, something that will really stand out. Since I live in Arizona, why not get a brand burned into my flesh. It needs to be simple and concise, something that tells who I am—maybe a little heart with the words “Irreverent Infidel” or “In Silliness We Trust.” For once in my life, I might actually get ahead of the curve. These days, it’s all about branding.
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