Call me a freak. Not a hippie freak, eco-freak, or Jesus freak, just a plain old freak. You see, I don’t have a tattoo. Yesterday I saw a geezer (i.e., someone older than I) downtown—he had to be at least 97—with a big red heart on his neck and the word “Alice,” which I thought was kind of sweet until I noticed just above it a raised hand holding a dagger. Some guys never get over their divorces.
A recent Harris poll found that 21% of U.S. adults now have a tattoo, and among the younger crowd it’s almost twice that. It won’t be long before Pope Francis has one—I suspect he secretly does—and there’ll be no unadorned skin left on the planet. Freaks like me will be eyed suspiciously. Why doesn’t that man have a tattoo? Is he trying to make a statement? It’s un-American, I tell you!
It’s not that I don’t think tattoos are cool. I am fascinated by the diverse and creative ways we set ourselves apart from the herd. When I see some young dude with green-streaked purple hair wearing barbed wire around his neck, twenty pounds of nose, ear, lip, and throat jewelry, and his skin adorned with the full complement of body art, I get all warm and fuzzy inside. How difficult it must be these days to achieve that perfect rebellious, insolent, don’t-give-a-damn look. It’s all about making a statement.
When I was a kid, the only tattoos I remember were those on the arms of my two ex-navy uncles. The rule was, if you were in the navy, jail, a carnival, or a gang you got one. But then, during the 60’s, tattoos really took off in this country as part of a cultural reaction to the values of the white, straight, middle class. Pretty soon, tattoos weren’t just for stoned out rock musicians or starving artists. Middleclass and upper class folks started sporting them. The rest is history. The prevailing culture simply swallowed up the protest symbol. Tattoos are now just something to do. When you see a tattooed politician, stock broker or brain surgeon riding to work on his Harley, you know the tattoo has lost any shock impact it once possessed.
It won’t be long before the tattoo gestapos find me. They’ll haul me into some back alley tattoo parlor and force me to undergo body art, and probably some piercing, too.
So I’ve decided to be proactive. Rather than allowing them to put some tacky tattoo of Mickey Mouse, Miley Cyrus, or worse on my arm, I’ll have a design all worked out. That way, when they come crashing through the front door I’ll have something to show them. They might go easier on me, knowing that I’ve put a little thought into it.
Being a poet, I thought I could have one of my little poems inserted under my skin in tasteful script, on a part of my body normally exposed. I don’t mind sharing my poems, but having to take my shirt off to let someone read a poem is too great a price to ask of my art. Of course, there’s always the risk of would-be poetry critics coming up to me and provoking a scene. It doesn’t rhyme. How it can it be poetry? He obviously took that line straight out of Frost.
Perhaps I could reproduce some famous paintings for my body art. I can see one arm sporting Monet’s Les Quatre Arbres (Poplars), while the other features Botticelli’s The Birth of Venus. On my neck (my legs are too hairy) I could have Goya’s Saturn Devouring His Son. That would get some attention. I do worry, however, that the aging canvas upon which they are painted would sag and fade with time, requiring extensive restoration.
I need a bold statement, something that will really stand out. Since I live in Arizona, why not get a brand burned into my flesh. It needs to be simple and concise, something that tells who I am—maybe a little heart with the words “Irreverent Infidel” or “In Silliness We Trust.” For once in my life, I might actually get ahead of the curve. These days, it’s all about branding.
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